Audio ConverterAudio Tools
Convert between common audio formats with bitrate and channel controls.
Keep a PCM WAV source for editing and make an MP3 delivery copy when the recipient needs a smaller file. The WAV vs MP3 decision depends on the receiving app's requirements. Turning an existing MP3 into WAV cannot restore discarded detail.
A WAV file is a container. It commonly holds uncompressed linear PCM audio, but the extension alone does not guarantee that encoding. Microsoft's RIFF documentation lists both PCM and ADPCM among the audio formats carried in the RIFF structure. The WAV examples here mean PCM WAV, including the 16-bit PCM output in Utilza.
MP3 uses lossy encoding. It discards some information to reduce the amount of audio data. For a recording that will be cut, mixed or processed, retaining a PCM source avoids introducing another MP3 encode each time you export an intermediate version. MDN's audio codec guide discusses that repeated-compression tradeoff.
| Your next step | Useful copy | What to check |
|---|---|---|
| Edit a recording that already has a PCM source | Keep the source WAV and the editing project | The editor's sample-rate and channel requirements |
| Send a finished recording to a recipient who accepts MP3 | Create a separate MP3 delivery copy | Playback, file size and the destination's accepted formats |
| Give an editor a file when only MP3 exists | Convert to WAV if that editor requires PCM | The conversion cannot recreate detail lost in the MP3 |
| Preserve a file for another edit later | Keep the original and the project, alongside any export | A new extension is not evidence of a better source |
The destination may request a particular format regardless of size. A transcription service, editor or upload form can have its own limits. Follow those requirements; neither WAV nor MP3 guarantees accurate transcription or intelligible speech from a poor recording.
For uncompressed PCM audio, the audio payload in bytes is duration in seconds multiplied by sample rate, channel count and bits per sample, divided by eight. A 60-second, 44,100 Hz, 16-bit stereo recording therefore has 10,584,000 bytes of PCM audio, before its header and other chunks. With one channel at the same settings, that payload is half as large. This is a calculation, not a measurement of a voice recording.
A constant-bitrate MP3 has a different size budget. At 128 kbps, 60 seconds represents about 960,000 bytes of encoded audio, before headers and metadata. Actual output size can differ because of framing, tags and the encoder's rate control. Do not use this estimate as a promise that a particular file will fit an upload limit.
File size does not measure whether consonants, breaths or room ambience still sound acceptable. Listen to a short passage of the source and the copy at comparable playback levels. A larger MP3 setting cannot restore detail already missing from the input. Apple's audio conversion guidance explains why converting compressed audio to an uncompressed file does not improve the source.
An internal check on October 28, 2026 used a generated speech recording, rather than a microphone recording. Its PCM WAV source was mono, 16-bit and 22,050 Hz, with a duration of about 18.49 seconds. The conversion used the same FFmpeg WebAssembly core shipped with Utilza, invoked directly in Node.js v24.15.0 on Windows.
| File | Bytes | Settings |
|---|---|---|
| Generated-speech WAV source | 815,510 | 16-bit PCM, 22,050 Hz, mono |
| MP3 delivery copy | 296,795 | 128 kbps, 44,100 Hz, mono |
The MP3 was smaller for this input. The output's higher sample rate does not establish that it contains more captured detail than the source. This was a codec and file-size check, without a listening-quality score or a physical-phone test. Different inputs and settings need their own size and playback checks.
For a recording still inside Apple's Voice Memos app, first export the memo as a file and then make the MP3 copy. If the input is already MP3 and the format is accepted, MP3 Compressor addresses the narrower job of reducing its bitrate. Re-encoding is still lossy.
PCM WAV is useful as an editing source because it avoids a lossy encode at that stage. MP3 can be more practical as a smaller delivery copy. The original recording and the receiving app's requirements determine which copy you need.
No. It can provide the PCM file an editor requires, but it cannot restore information discarded when the MP3 was made. Keep the original file as well.
Uncompressed PCM stores samples according to the duration, sample rate, channel count and bit depth. MP3 uses lossy encoding to reduce the audio data. Headers and metadata also contribute to the final file size.
Use the destination's requirements and the recording's content. Mono combines the channels. Keep stereo when left and right separation carries information you need; conversion does not isolate a speaker or remove background sound.
Tools used in this guide
Convert between common audio formats with bitrate and channel controls.
Reduce MP3 bitrate and compare the output size before downloading.